Mabel Dodge Luhan
A visionary woman chases utopia, romance, and a new identity in the high deserts of New Mexico.

Inspired by the life of Mabel Dodge Luhan, Mabel's Call is an opera in one act (80 minutes) currently in development, scored for six soloists, chorus, and chamber ensemble.

In 1917, restless 38-year old Mabel abandons her life in New York City as a salon hostess and international icon of the avant-garde in order to reinvent herself in the remote village of Taos, New Mexico.

Mabel’s journey of self-discovery leads her to Tony Lujan: a Pueblo Indian who becomes her mentor and husband. With Tony, Mabel builds a bridge between cultures and summons the seekers of the world—artists, writers, reformers, composers, dance choreographers—who look to the West for a cultural rebirth built from the soil of indigenous America.

Mabel’s story is unconventional, yet quintessentially American. A sweeping tale told on an intimate scale, Mabel's Call probes themes of identity, love, home, spirituality, and the search for a meaningful life, which will resonate with audiences everywhere.

Audio & Video Samples

Excerpts from evening-length workshop reading of excerpts from Mabel’s Call in piano reduction score. Performed by soprano Shelley Jackson, tenor Andre Garcia-Nuthmann, and baritone Carlos Archuleta, with music direction by pianist Kristin Ditlow. Presented in conjunction with national touring exhibit Mabel Dodge Luhan and Company: American Moderns and the West.

Cohen at Ghost Ranch in Abiquiu, New Mexico, 2016.

About the Composer and Librettist

New York City-based composer, librettist, and multimedia artist Nell Shaw Cohen (b. 1988) evokes visual art and natural landscapes with works ranging from orchestral tone poems to iPad apps. She’s a finalist for Houston Grand Opera's 2017 Song of Houston chamber opera commissions, a 2015-17 Composers & the Voice Fellow with American Opera Projects, a participant in the 2017 New Dramatists Composer-Librettist Studio, and Artist-in-Residence at The Helene Wurlitzer Foundation (2016 & 2017).

In 2014, her monodrama The Coming of Spring was given a workshop staging in NYC and she was Composer-in- Residence with the New York University Symphony. She has presented work at the Parrish Art Museum, Harwood Museum of Art, and Peabody Essex Museum, and received commissions from Montage Music Society, Boston GuitarFest, WordSong, et al.

As director of LandscapeMusic.org, a publication and composers network, she advocates for music inspired by nature. Cohen (M.M. New York University, B.M. New England Conservatory) has studied with Herschel Garfein, Michael Gandolfi, Missy Mazzoli, and Julia Wolfe.

Learn more at nellshawcohen.com

Mabel Dodge Luhan with Tony Lujan

About Mabel Dodge Luhan

Mabel Dodge Luhan was a central and controversial player in the artistic and intellectual avant-garde in early 20th century America. Mabel lived several lives: breaking away from her upbringing in a wealthy, conservative family in Buffalo, and her first marriage—through which she gained a son and lost a husband to a hunting accident—she traveled to Europe and hosted glamorous salons in Florence at a villa she owned with her second husband, Boston architect Edwin Dodge. There, she entertained friends such as as Gertrude and Leo Stein.

Mabel returned to the States and became a noted player in Greenwich Village’s burgeoning radical intellectual scene. She allied herself with John Reed, Margaret Sanger, Emma Goldman, Alfred Stieglitz, and the founders of the Provincetown Players, among others. She hosted popular “evenings” at her apartment and advocated for Modern art, women’s rights, and worker’s rights as an organizer, promoter, and newspaper columnist. With the onset of World War I, Mabel became disillusioned with urban living and the idealism of political movements. She followed her love of “Nature and Art,” moving to Croton-on-Hudson—and finally to New Mexico with her third husband, painter Maurice Sterne.

After meeting her fourth and final husband, Tony Lujan of Taos Pueblo, Mabel built an estate in Taos with extensive housing for guests. She helped to establish Northern New Mexico as a center for Modern art and drew international attention to indigenous Pueblo and Hispano arts and culture. She was responsible for bringing Georgia O’Keeffe, D.H. Lawrence, Marsden Hartley, John Marin, Ansel Adams, Paul Strand, Martha Graham, and many others to the Southwest, which had an indelible impact on these artists. Mabel also published several books of memoirs and nonfiction, including Winter in Taos (1935) and Edge of Taos Desert (1937).

Learn more about Mabel on the website of the Mabel Dodge Luhan House.

Taos Pueblo. Photograph by Ansel Adams, 1941.

Performances & Development Activities

Summer 2017 • The Helene Wurlitzer Foundation of New Mexico in Taos, New Mexico
Nell Shaw Cohen will be Artist-in-Residence, continuing work on Mabel’s Call.

June 18, 2017 • The Harwood Museum of Art in Taos, New Mexico
In celebration of the city of Taos’s annual Mabel Dodge Luhan Day, the Harwood Museum of Art and The Mabel Dodge Luhan House present Nell Shaw Cohen in conversation with author and curator Lois Rudnick. This free community dialogue will give a behind-the-scenes look at Cohen's process of interpreting Luhan’s life and historical context for opera Mabel's Call. Sunday, June 18, 2017 at 2:00pm.

September 29 & October 2, 2016 • American Opera Projects in New York City
Workshop reading of scenes from Mabel’s Call in piano score. Performed by soprano Tookah Sapper, tenor Blake Friedman, and baritone Kyle Guglielmo, with music direction by pianist Mila Henry. Featured on Composers & the Voice: Six Scenes concert program.

August 12, 2016 • The Harwood Museum of Art in Taos, New Mexico
Evening-length workshop reading of excerpts from Mabel’s Call in piano score. Performed by soprano Shelley Jackson, tenor Andre Garcia-Nuthmann, and baritone Carlos Archuleta, with music direction by pianist Kristin Ditlow. Presented in conjunction with national touring exhibit Mabel Dodge Luhan and Company: American Moderns and the West.

Summer 2016 • The Helene Wurlitzer Foundation of New Mexico in Taos, New Mexico
Nell Shaw Cohen was Artist-in-Residence, working on Mabel’s Call.

May 13 & 14, 2016 • American Opera Projects in New York City
Performance of aria “Tony Teaches Me” from Mabel’s Call in piano score. Performed by soprano Tookah Sapper with music direction by pianist Charity Wicks. Featured on Composers & the Voice: First Glimpse concert program.

Press Highlights

The Taos News, "Mabel Dodge Luhan, as operatic vision" on Mabel's Call at the Harwood Music of Art. (8/11/16)

The Mabel Dodge Luhan House Blog, "Mabel Dodge Luhan Inspires Nell Shaw Cohen Opera" on Mabel's Call at the Harwood Music of Art. (8/10/16)

Contact

Visit nellshawcohen.com to learn more about the work of composer and librettist Nell Shaw Cohen.

Email questions and comments to Nell: nell@nellshawcohen.com

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